“There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses—and then there is Sarah Bernhardt.” — Mark Twain Few figures…
"The Music Man" creator Meredith Willson, a flautist and piccolo player, composer, conductor and musical arranger, seemed on the surface an unlikely candidate to create Broadway’s next hit, given his lack of experience in the medium....In the late 1940s, Willson began working on the first of his three autobiographies, "And There I Stood with My Piccolo." This lighthearted book explores Willson’s turn-of-the-20th-century childhood in Mason City, Iowa, where he adroitly honed the skills that enabled his professional career in music while also wholeheartedly participating in small town misadventures.
From Leonard Bernstein’s "Candide" to the Damon Runyan-inspired "Guys and Dolls," to her own adaption of "The Jungle Book," Tony Award-winning director Mary Zimmerman has brought her unique style to this beloved American entertainment. She’s long exercised her chops on the Goodman stage and now returns with "The Music Man," the 1957 classic about a smooth-talking swindler and the small Midwestern town he wraps around his little finger.
“One of the most significant literary achievements in modern-day Chicago” ("Chicago Tribune")—Ike Holter’s seven-play “Rightlynd Saga”—is now complete. Courtesy of the playwright and dramaturg Kendra Miller, here is a look back at these remarkable works.