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Why Feathers and Teeth? Artistic Director Robert Falls on the Play’s Wholly Original Outlook

In a world in which many things (including plays) are easily categorized, Charise Castro Smith’s Feathers and Teeth is a delightful anomaly. At first glance, it’s a dark parody of such late ‘70s family sitcoms as The Brady Bunch, replete with shag carpeting, lacquered hairstyles and uneasy family dinners. Beneath its chrome-and-plastic surface, though, the play…