Goodman Theatre’s New Stages Festival plays a key role in helping playwrights get their work out into the world, but they aren’t the only ones who benefit from the process.
In 2006, award-winning actor Larry Yando stepped into the role of Ebenezer Scrooge for the very first time. Little did he know that 13 years later, he’d still be delighting Goodman audiences with his take on one of the greatest grouches of all time.
"The Music Man" creator Meredith Willson, a flautist and piccolo player, composer, conductor and musical arranger, seemed on the surface an unlikely candidate to create Broadway’s next hit, given his lack of experience in the medium....In the late 1940s, Willson began working on the first of his three autobiographies, "And There I Stood with My Piccolo." This lighthearted book explores Willson’s turn-of-the-20th-century childhood in Mason City, Iowa, where he adroitly honed the skills that enabled his professional career in music while also wholeheartedly participating in small town misadventures.
From Leonard Bernstein’s "Candide" to the Damon Runyan-inspired "Guys and Dolls," to her own adaption of "The Jungle Book," Tony Award-winning director Mary Zimmerman has brought her unique style to this beloved American entertainment. She’s long exercised her chops on the Goodman stage and now returns with "The Music Man," the 1957 classic about a smooth-talking swindler and the small Midwestern town he wraps around his little finger.