Last Friday, May 1 we launched our new video series Now & Next: Live @ Five. This week Artistic Director Robert Falls interviewed Henry Godinez about his career and work at the Goodman.
Henry Godinez is the Resident Artistic Associate at Goodman Theatre. His production of José Cruz González’s American Mariachi was scheduled to open at the Goodman this month before performances were suspended to comply with Gov. Pritzker’s Stay-at-Home-Order.
Godinez’s Goodman directing credits include Charise Castro Smith’s Feathers and Teeth, The Sins of Sor Juana and Mariela in the Desert by Karen Zacarías; José Rivera’s Boleros for the Disenchanted (and world premiere at Yale Repertory Theatre); Regina Taylor’s Millennium Mambo; Luis Alfaro’s Electricidad and Straight as a Line; The Cook by Eduardo Machado; Zoot Suit by Luis Valdez; the Goodman/Teatro Vista co-production of José Rivera’s Cloud Tectonics and the 1996–2001 productions of A Christmas Carol. He also served as director of the Goodman’s Latino Theatre Festival. As an actor, Godinez appeared most recently in Goodman’s The Winter’s Tale, 2666 and the Goodman/Teatro Buendía of Cuba world premiere of Pedro Páramo, and at Writers Theatre in the title role of Quixote: In the Conquest of Self. He has also appeared on television in Chicago PD, Above the Law, The Beast, The Chicago Code, Boss and Chicago Fire. Co-founder and former artistic director of Teatro Vista, Godinez is the recipient of the 1999 Theatre Communications Group Alan Schneider Director Award, the Distinguished Service Award from the Lawyers for the Creative Arts and was honored as the 2008 Latino Professional of the Year by the Chicago Latino Network. Born in Havana, Cuba, Godinez is a professor at Northwestern University and serves on the Board of Directors of the Illinois Arts Council and Albany Park Theater Project.